Browse Items (16 total)

Pyle displays Browne’s themes of wealth and poverty in her depiction of the mer-king’s treasures. With arms outstretched, the mer-king shows off his jewel-encrusted necklace, long robe, and decorated vases. Civil, on the other hand, is partially…

In the chair’s story “Sour and Civil,” a young fisherman named Civil finds himself whisked down into the world of merpeople. This piece illustrates the fear and wonder of this moment; once again, physicality is present in the way Civil grips the boat…

In “The Story of Childe Charity,” the titular character is a young orphan in the care of her greedy aunt and uncle. Pyle’s ink illustration depicts her in her misfortune, a wistful look on her face as she sits on a stool and gazes at what could be…

Like 19th century stories with blind characters, Granny’s Wonderful Chair deals with the significance of music. In "The Greedy Shepherd," brother shepherds Clutch and Kind traverse the mountains in search of their lost flock. Here, Pyle illustrates…

Woodwender and Loveleaves are the children of two kind kings and promised to marry each other in “The Lords of the White and Grey Castles.” When their fathers go missing, their wicked stewards force the children to herd swine and sleep on straw. When…

The frontispiece (illustration before the title page) of the book depicts the protagonist, a girl named Snowflower, seated in her magical chair. She grips one of its arms with both hands and looks past the viewer to the right. While we do not see the…